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Designer guilt: why sustainable design matters

Is it really all Philippe Starck’s fault’ When the superstar designer appeared on the cover of ‘Icon Magazine’ with a headline that read: ‘I Killed Design’, a London-based product strategy consultant, Kevin McCullagh, aired the design world’s dirty laundry, admitting that a backlash was brewing in the face of design’s fashionable profile. Continue reading

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Design Meister

From a definitive teenage moment when he decided he wanted to design album covers to the fulfilment of that dream collaborating with the likes of Lou Reed and the Rolling Stones, Stefan Sagmeister’s rise to fame is firmly rooted in the music industry. But beyond the dishevelled rock-star appearance, the fame and the subversive design, the Austrian-born, New York-based graphic supremo has a long-standing mission to ‘touch people’s hearts with design’. Exceedingly polite, highly articulate and self-aware he describes his trademark script as a means of eliminating the tedious process of choosing typefaces. Continue reading

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Matali Crasset: What if’

What if a friend drops in to visit for a day or two’ How would you accommodate them’ What if your rug doubles as a magic kingdom’ How would you use this gift’ Or what if you need some privacy at work’ How do you find the best solution without isolating yourself’ By questioning the environments we create for ourselves and transforming our living spaces into places for mobility and experimentation, Paris-based designer Matali Crasset is taking the design world by storm. From her own multi-disciplinary practice, where she works on a diverse range of projects including products, graphics, exhibitions and interiors, Crasset explores the boundaries of personal and communal space and creates exciting new narratives from everyday rituals. On the eve of her first trip to Australia to deliver the keynote talk at Sydney Design 06, Lily Katakouzinos spoke to Matali Crasset from her Paris studio. Continue reading

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A short history of typography

Like any other creative pursuit, the design of letterforms is determined by the prevailing cultural climate and thus in a state of constant flux. Typography now functions as a kind of weathervane for the zeitgeist, with typographic analysis a leading design issue. Indeed, as designers have sought to express themselves and define their time, type has increasingly come to have its own intentions, beyond those of verbal communication. Continue reading